New W. A. Dwiggins book! Athalinthia stories and pictures

Created by Bruce Kennett

The personal side of Dwiggins. Cool stories, published together for the first time. Tons of never-before-seen art, much in color.

Latest Updates from Our Project:

More news on remaining deluxes
over 1 year ago – Mon, Feb 06, 2023 at 06:55:20 AM

This note in from Gray:

“The books are sewn, trimmed, & backed; they have headbands & the spines are lined, & paper tubes affixed.

The boards are cut & prepared; the leather is cut & skived; I am halfway finished with the hand paring.

Stamping next week.

Going great guns.

Stay warm.”

Thank you, deluxe backers, for your patience in waiting for these to be completed!

Sewn blocks

Some news about the remaining deluxes, and the t-shirts
over 1 year ago – Wed, Jan 25, 2023 at 01:08:32 PM

It’s been quiet of late. I hope those of you with books in hand have been enjoying the stories!

Deluxe Edition

To the deluxe backers beyond the first twenty-five people, I thank you very much for your patience. Gray has been working steadily in the quiet of his Maine studio. He sent this note today:

I have assembled the endpapers, making the zig-zag, and I have punched 8,000 holes, one by one. I will be finished with the sewing this week, probably tomorrow, and by the first of the month will have begun on the covers. I hope to be finished before the end of February.

Gray sewing one of our deluxes. (Photo by Gray’s wife Chris Covert, who is a visual artist, primarily a painter.)

Ah, and look at the company we keep . . . that large, dark book on the right is Anatomy of the Wood Rat: Comparative Anatomy of the Subgenera of the American Wood Rat (genus Neotoma) by Alfred Brazier Howell (Williams & Wilkins, 1926).

“Rabelais” T-shirts

Jim Jackson, the screen printer in Dwiggins’s home town of Cambridge, Ohio, has been moving his shop to a different space, so he’s had a lot on his plate this month. The artwork is in his hands and as soon as he’s had a chance to prepare it for transfer to the screens, he’ll create a page on his website where we can all go to place an order. Earlier I mentioned the potential options: 1) six flat colors or  2) a CMYK reproduction of the image or  3) an iron-on transfer. There was much more support for the true, multiple-flat-colors version that would be faithful to Dwiggins’s original idea. So that’s what we’ll print. Stay tuned — as soon as I have a url from Jim I’ll post it here.

Dwiggins originally made this image for a label that spanned all five volumes of an edition of Rabelais (Limited Editions Club, 1936). The edition was designed and illustrated by Dwiggins, and printed by the great Fred Anthoensen in Portland, Maine. As you can see on my set of books, which are now nearly a hundred years old, the labels have faded terribly. But what a cool idea to have that single image span all five volumes!
Our T-shirts will be made from this proof, which I photographed many years ago at the Boston Public Library. It was stored away from light, so the colors are still fresh. If you scroll back up to the previous picture, you can see how the blue and orange inks have managed to stay relatively stable over time, whereas the hot pink and green have faded completely. Note also that Dwiggins hand-lettered each of the five titles individually, rather than trying to “boost efficiency” by using photostats.

Receipt of standard edition copies
over 1 year ago – Thu, Dec 15, 2022 at 01:18:49 AM

By now, copies of the standard edition should have been delivered to all of you who backed at that level. (Except for people who are expecting to receive a standard copy along with a deluxe, since those will be mailed together with deluxes, as Gray completes the deluxes.) If you backed at the standard level and have not yet received your copy of the book, please reply to this update and I'll get in touch with you by email so we can pursue tracking, etc. Thanks.

over 1 year ago – Tue, Dec 13, 2022 at 01:43:29 PM

As I mentioned earlier, Gray completed the first batch of the deluxes. Sylvia and I drove over to Maine on Sunday to get them in person. A long haul (4-1/2 hours each way) but well worth it. I am now numbering, signing, packing, and mailing the first twenty-five copies. These were scheduled to go out in December, so I'm delighted to be adhering to that timeline.

Gray has decided to make the remaining copies all in one go, rather than splitting them into second (February) and third (April) batches. He's asked that he be able to deliver them at the beginning of March and I told him that would be fine. This means the second round of Series I books will be delivered a week or two later than originally planned, but then all the others will ship out ahead of schedule.

Gray and his wife Chris Covert (a painter) live in a house they designed and built in the rural outskirts of a small Maine town called Warren. His shop is capacious, well-appointed, and well-organized. We were very fortunate to have him do this edition: he had already decided that he no longer wanted to do multiple-copy editions of this kind, but when I approached him and he found out the subject was Dwiggins, he agreed to take it on. While we were there Gray showed us his amazing collection of reggae music (45s, LPs, cassettes, and reel-to-reel), another collection of science fiction and fantasy, and another of fine press publications. I love seeing his rare combination of unbridled passion and commitment to the highest standards of hand craftsmanship.

Gray in his shop, with deluxes all packed and ready to go out the door.

We were very pleased with the quality of the brass die that I ordered from Owosso out in Michigan for the stamping of the spine. Deeply cut, with near-vertical shoulders, a dream to work with.

Laser-cut brass die for central spine stamping. Owosso made this from my copy photo of Dwiggins’s original hand-lettering, which he drew for the front cover of the 1948 Püterschein-Hingham edition of “The War Against Waak.”
Here’s the die mounted in Gray’s arming press, ready to stamp the next goatskin spine.

Another wonderful aspect of the spine is that the top and bottom names were cast in WAD’s Metro type by Michael Babcock, on his Linotype machine in Jamaica Plain, Massachusetts. This means that everything on the spine is pure WAD: the central portion is all his hand-lettering, plus some of his Caravan ornaments above and below, and the top and bottom names were made in the exact process for which Metro was originally designed. (Okay, one small detail for the sake of transparency: I drew the slanted double hyphens in ATHA  -LIN-  THIA.)

Short-measure slugs of Metro cast by Michael Babcock on his Linotype machine. I asked him to make multiples of each name, so that Gray would always have sharp, fresh letter forms for stamping.

I am thrilled with the way the deluxes look, and hope all of you deluxe backers will feel the same. I’m taking my time and packing them carefully.

The first few copies went out in the mail yesterday.

One other image from Gray’s studio that caught my eye. I'd say there’s been a whole lotta pasting goin’ on . . .

Bruce, over and out.

Possible idea
over 1 year ago – Tue, Dec 06, 2022 at 03:50:33 PM

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